The empowering energy of Tomanova’s work reminds us how crucial positive visual representation is during dark times.
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It also acts as a reminder of what is at loss in the face of Donald Trump as the leader of the free world.
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The series mirrors the unapologetic power of youth culture found in movements such as America’s student gun control activists, as well as Black Lives Matter. If we want to gage what the future of America could be, we might turn to Young American: a photo series spotlighting American youth by Czech-born, New-York based American photographer Marie Tomanova. When I ask her how it is being a girl in the camp, she replies, ‘It’s fine being a girl. When I ask her how she copes, she just shrugs her shoulders. For Josephine, the opportunities for furthering her education are limited. The latter, where this photo was taken, is a reminder that children are still children, even when faced with unspeakable hardship.Īs Duley wrote in Dazed, “Life is tough in the camp, with the baking heat, the dry, dust-filled air, and the lack of food – and hope of returning home fades by the day. Each photo in the series shows the children who are bravely, unjustly living through terror in Ukraine, Iraq, and in the Ogumo refugee camp in Uganda. The best photographers remind us of this – earlier this year, that’s exactly what renowned war photographer Giles Duley did with his new series Faces of War, published on Dazed in collaboration with Save the Children. (Lexi Manatakis)Įven in the darkest of circumstances, humanity and joy can pierce through. If what we understand about our world is achieved through what we read and see in the media, then for the future of Palestinians, this image needs to be centre stage.
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The portrait is accompanied by an interview that shines a light on her dreams of being a peacemaker, and her fearlessness in confronting Israelis at the border. In this empowering portrait of Raghda (aged 17), we see the harrowing reality of life for a young Palestinian girl. From underneath war, how is youth culture in Palestine surviving, let alone thriving? What are the future hopes and dreams of its young people? Leading these questions visually, in 2018, it’s critical that pursuits like Activestills exist in order to ensure we see an authentic representation of life in Gaza. Activestills is a photojournalism collective working in Palestine to change this, by ensuring an authentic portrayal of young Palestinians.
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Through the lens of western media, Palestinian youth are suffocated by politics and violence. This photo needs to be seen now more than ever to increase the visibility of Peruvian trans women. This series irritated a Peruvian congressman so much that after its release, he condemned it as ‘blasphemous’, and is now trying to impose a law where anyone who offends the church could face imprisonment. Through the way in which Marcielo is elevated in this image, she becomes immortalised as a religious icon – something so spiritual, it’s untouchable by Peruvian prejudice. In the image, she reclaims the visual markers often used against her Peruvian society (femininity and nudity), and celebrates them with strength, regality, and resilience, as signified in the silver crown. In this specific image, Barboza-Gubo and Mroczek give a platform to Marcielo, a local trans community leader, to reclaim her identity. This is why photographers Juan Jose Barboza-Gubo and Andrew Mroczek’s Virgenes de La Puerta, a photo series that turns Peruvian trans women into religious icons, is one of the most powerful series of the year. In Peru, religion is so intrinsic to cultural identity that it sways political action – however, for Peruvian trans women, this means oppression. They might be slightly different from the mainstream typical Chinese girls, but they are also real.” Portraits such as these, of a friend shaving her head, bear witness to the manifold and unique individual expression of femininity across China’s diverse regional, social, and cultural landscape. “They are the independent, free-spirited women that challenge traditional ideas around femininity. “The kind of girls I shoot are a relative minority in China,” she told Dazed earlier this year. Though she aspired to make sense of a collective experience, Luo is well aware of the limitations of her project. She started to photograph those around her – friends, acquaintances, and sometimes strangers that she had met online – and found they shared certain emotions and concerns. At least that was the case when photographer Luo Yang began GIRLS, a project that explores what it means to be a young woman in contemporary China. The camera can often be a tool to fight loneliness and unease.